HOLY SHIT YOU KNOW WHAT I JUST REALIZED
this is gonna sound so dumb but its groundbreaking to me
the first four episodes of spn are the 4 elements . like legitimately
1- fire (mary and jess on the ceiling, the woman in white burning up)
2- earth (hunting the wendigo deep in the woods and the old mine in the earth)
3- water (the spirit of the boy trapped in the lake, drowning people)
4- air (the demon on the airlines who kills people in the sky)
have y’all peeped how most of these kermit #butthatsnoneofmybusinesstho jokes have turned into the usual bashing of black women and black woman and their kids or sex life?
yeah. it started off funny and then the usual hatred of black women rolled out. didn’t take long.
social media fuckin HATES black women.
BUT THAT’S NONE OF MY BUSINESS THO right?
SAY THAT SHIT.
white lei’s are representative of love
I HAVE BEEN WONDERING THIS SINCE I WAS FIVE YEARS OLD YOU HAVE SOLVED SO MANY MYSTERIES
Stitch literally fell in love. Not romantic love, but family love.
This is so interesting. Instead of trying to forcefully stop or restrain him - even though Lilo is fully capable of and willing to get physical as we saw with Mertle/Myrtle/What’sherface - Lilo gently showed him love.
And it worked.
I can’t deal with good looking boys because they expect me to respond to them instantly like I’m not busy and then when I do get around to responding they wanna catch an attitude
That is why I am Team Ugly Boys™ all day because I can respond to an ugly boy 2 weeks later and he will pick up the convo like i repsonded within 5 seconds
“The fallacy in Hollywood is that if you’re making a ‘feminist’ story, the woman kicks ass and wins. That’s not feminist, that’s macho. A movie about a weak, vulnerable woman can be feminist if it shows a real person that we can empathize with.”
“From the beginning, we were concerned about casting, the issue of race. What we realized is that this story is functioning at the level of myth, and as a mythical story, the race of the individuals doesn’t matter. They’re supposed to be stand-ins for all people. Either you end up with a Bennetton ad or the crew of the Starship Enterprise. You either try to put everything in there, which just calls attention to it, or you just say, “Let’s make that not a factor, because we’re trying to deal with everyman.” Looking at this story through that kind of lens is the same as saying, “Would the ark float and is it big enough to get all the species in there?” That’s irrelevant to the questions because the questions are operating on a different plane than that; they’re operating on the mythical plane.”
Many people are talking about the upcoming Moses movie so I thought this little white supremacist gem should get some attention too. Riddley Scott already did a movie ignoring race in the human origin story (Prometheus) so it isn’t illogical to believe his choice for an all-white cast is intentionally racist. When white people think they are the default race or they’re “everyman” that’s a racist ideal. When white people think involving actors of color in their movies is too distracting or “doesn’t matter” that’s lazy and an outright racist assumption about moviegoers.